A Study on Self-Presentation in Instrumental Performance Short Videos in the Digital-Intelligence Era
- Authors
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ziyi xing
Southwest Minzu UniversityAuthor
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- Keywords:
- Digital-Intelligence Era; Self-Presentation; Short Video
- Abstract
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This study examines the self-presentation practices of instrumental musicians on short-video platforms, analyzing the multifaceted dimensions of content formats, dissemination strategies, and audience interaction. It explores how this medium reshapes musicians’ self-expression, identity construction, and the “online” ecology of music. The research reveals that instrumental short videos serve not only as a window for skill display but also as a highly personalized and interactive “digital stage.” Through carefully crafted audiovisual elements, strategic use of tags, and engaged interaction with viewers, performers actively construct their musical identity, artistic style, and personal appeal. This practice facilitates a multifaceted role transformation from “performer” to “content creator” and “personal brand manager.”
- References
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Gao, H. (2020). From oral diary to vlog: The evolution of a form of self-presentation from the perspective of the body. Journal of China University of Geosciences (Social Sciences Edition), 20(01), 105-113.
Guo, Q. (2011). A course in communication studies. China Renmin University Press.
Mead, G. H. (1934, 2015). Mind, self & society. University of Chicago Press.
Peng, L. (2019). The reshaping of communication by objects in the 5G era. Exploration and Free Views, 1(09), 54-57.
Sun, W., & Liu, J. (2023). Goffman's view of self in communication: Connotation, origins, and implications. Contemporary Communication, 1(01), 102-106.
Xu, X. (2024). Anthropology in the digital-intelligence era. People's Publishing House.
Zhao, Y. (2023). Semiotics of art. Sichuan University Press.
Zhang, F., & Yin, W. (2012). Mediated self-communication viewed through monologic microblog writing. Contemporary Communication, 1(04), 79-81.
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- Published
- 2026-03-04
- Section
- Articles
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Copyright (c) 2026 ziyi xing (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
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